《少爷兵》是春节档电影，又是一部大杂烩的影片，以朱延平拍过N次的「杂牌军沿途冒险出任务」为故事基底，桥段方面则有前一年卖座西片《魔宫传奇》、名著《格列佛游记》和1983年许不了也曾参演的《美人国》等的拼凑痕迹。

与男友了太厮守在一起的电影系女大学生小春（満島ひかり 饰），却并未感到些许的幸福。她和男友之间鲜少交流，仿佛只有性的存在，彼此隔膜渐渐加深。偶然机缘，木讷的小春结识了美丽的女孩里子（中村映里子 饰）。里子在一家义肢事务所工作，她性格张扬，敢爱敢恨，与小春形成鲜明的对比。不过互补的性格也让她们相互吸引，继而成为朋友。与了太的关系日渐紧张，小春的天平开始偏向了里子这边。两个女孩的爱情故事就此上演…… 　　本片根据漫画家桜沢エリカ的同名原著改编，是安藤モモ子的导演处女作。安藤本身为著名演员、导演奥田瑛二的长女，奥田也在片中出演了一个只露出背影的角色。

青春正年少的都市少年萨迪（Junio Valverde 饰）不幸罹患干皮症，他无法经受太阳长时间照射，否则病情将逐渐恶化，并最终引发癌症等绝症。为了缓解儿子的病情，单身母亲茱莉娅（Mar Sodupe 饰）决定与萨迪一同搬到阳光稀少的山村生活。 　　然而萨迪的生活并未好转，才到这里不久，两个与之有关的人便离奇死亡，其状可怖，他也被村中的人看作魔鬼。在第二起凶杀案现场，萨迪曾目睹凶犯真容，长相竟与其房中一张相片里的小女孩极其相似！ 　　事情渐露眉目，萨迪开始和好友探查这个名叫爱丽卡（Berta Ros 饰）的小女孩及其背后隐藏的秘密……

《碎片》作为作者的大学毕业作品，试图以“在影像中寻找自己”为命题，将整个大学阶段记录下来的许多碎片推上剪辑台。作者希望能通过纪录片理解什么是生活，同时也透过生活理解什么是纪录片，以便给当时的自己一个圆满的答复。

1:14，短片

Natalia Garayalde is 12 years old in 1995. With her father’s camcorder, she films her family’s life, a happy household in the Argentinian city of Río Tercero. A place particularly renowned for its military munitions factory, which employs a large portion of its inhabitants. In November 1995, the factory explodes, riddling the town with shrapnel and blowing up the surrounding houses. The young girl and her brother then document the disaster, somewhat excited at the idea of being at the heart of a national tragedy. And without knowing that a family drama had begun that November day. 20 years later, she rediscovers these cassettes and turns them into a film, augmented with other amateur films and national and televisual archives. She revisits her own images with modesty, deciphering what she and others could not confirm at the time: a sordid attack by the State that served to dispose of the traces of illegal arms sales to Croatia and Ecuador between 1991 and 1995. A crime that still leaves traces of ammonia and white phosphorus from the shrapnel floating in the air and in the blood of her loved ones.

Two decades after his inspired feature debut The Hanging Garden won both the People's Choice Award and Best Canadian Feature at TIFF, Thom Fitzgerald again explores interconnections of sexual identity, family, and small-town Nova Scotia life, in this intimate drama about a young woman reassessing her relationship with her mother following the death of her father.

女高中生无意之间闯入了另一个自己所生活的世界，这个世界与原本的世界相比，竟有着天翻地覆的变化……

Natalia Garayalde is 12 years old in 1995. With her father’s camcorder, she films her family’s life, a happy household in the Argentinian city of Río Tercero. A place particularly renowned for its military munitions factory, which employs a large portion of its inhabitants. In November 1995, the factory explodes, riddling the town with shrapnel and blowing up the surrounding houses. The young girl and her brother then document the disaster, somewhat excited at the idea of being at the heart of a national tragedy. And without knowing that a family drama had begun that November day. 20 years later, she rediscovers these cassettes and turns them into a film, augmented with other amateur films and national and televisual archives. She revisits her own images with modesty, deciphering what she and others could not confirm at the time: a sordid attack by the State that served to dispose of the traces of illegal arms sales to Croatia and Ecuador between 1991 and 1995. A crime that still leaves traces of ammonia and white phosphorus from the shrapnel floating in the air and in the blood of her loved ones.

巡道工和他的妻子和女儿一家三口住在铁路旁。一个冬日，铁路督察员来此巡视，借住在巡道工家中。他旋即引诱了女儿。母亲撞见后悲愤不已，冲进风雪中，在户外的一座圣母雕像前祈祷不停，最终冻死在圣像旁。女儿祈求督察员把她带走未果，找到父亲坦诚事实。老巡道工与督察员对峙，后者表现出冷漠与傲慢。巡道工因而愤怒地将其掐死，随后挥举信号灯拦住了一辆过路的火车。此时出现了影片中的唯一一幅字幕卡：“我是杀人犯”。 　　《碎片》被认为是德国第一部室内剧电影。编剧卡尔·梅耶在创作完《卡里加里博士的小屋》后脱离了表现主义风格，转向现实主义题材。他将德国戏剧导演马克斯-莱因哈特创造的舞台剧类型移植到电影中，成为室内剧电影的奠基人。室内剧电影聚焦社会底层人物，场景多集中在室内，重视人物心理刻画，极大程度地弃用了字幕卡，成为时下流行的表现主义电影的对立面。 　　《碎片》之后，梅耶又与其他导演合作，拍出了《后楼梯》、《除夕夜》、《最卑贱的人》等多部室内剧名作。